She worked across an expansive range of media, including painting, drawing, prints, sculpture, film, performance, poetry, and installation, and her art is now exhibited worldwide. Pape was a founding member of the Neo-Concrete movement, which was dedicated to the inclusion of art into everyday life. Brazilian artist Lygia Pape’s (b. Lygia Pape was a Brazilian visual artist, engraver, sculptor and filmmaker. She was an influential Brazilian artist, active in both the Concrete and Neo-Concrete Movement in Brazil during the 1950s and 1960s.

Livro Do Tempo, or Book Of Time, consists of 365 wooden blocks done in primary colors, one for each day of a standard year. She ranged widely across mediums, challenging formal and conceptual boundaries. 1959–60. See more ideas about Art, Contemporary art, Plastic art. See gallery website for more details.

Lygia Pape: A Multitude of Forms ... Lygia Pape (1927-2004) joins her compatriots Lygia Clark (1920-88) and Hélio Oiticica (1937-80) as a leading artist from postwar Brazil with a major US retrospective, at the Metropolitan Museum of Art, New York. Exploring the Archive: on Lygia Pape by Daniel Birnbaum . Find more prominent pieces of installation at Wikiart.org – best visual art database. Lygia Pape, “Book of Time” (1961–63) (detail) Often, when looking at Pape’s work from this period, I think about how I would like to shrink and walk among her constructions, like “The Book of Architecture” (1959–60), one of many of her works that allude to reading and books.

Lygia Pape. Metropolitan Museum of Art, New York 21 March – 23 July 2017. by NATASHA KURCHANOVA.

Lygia Pape by Pape, Lygia and Guy Brett and a great selection of ... Lygia Pape: Books. Also, read what blogger Chloé Nelkin had to say about the rest of the show.


Livro do Tempo (Book of Time) can be seen in Lygia Pape, Magnetized Space at Serpentine Gallery, London, until February 19. Lygia Pape (7 April 1927 – 3 May 2004) was born in Nova Friburgo, Rio de Janeiro, Brazil. Book of Creation. Pape nevertheless quickly added that as opposed to the Book of Creation, for which she created a piece or element of the work each day, with The Night and Day Book she allowed herself the most liberty, starting and stopping the production several times over the course of several years, while always having a clear idea of the precise way she intended the final outcome to be.

Brazilian artist Lygia Pape’s (b. Lygia Pape worked in sculpture, engraving, and filmmaking. Lygia Pape (1927–2004) was an influential Brazilian artist and pioneering member of the postwar avant-garde. She worked across an expansive range of media, including painting, drawing, prints, sculpture, film, performance, poetry, and installation, and her art is now exhibited worldwide.

She worked across an expansive range of media, including painting, drawing, prints, sculpture, film, performance, poetry, and installation, and her art is now exhibited worldwide.
Bronzed boys and girls fool about on the beach, waves glittering on the shore. Lygia Pape (1927–2004) was an influential Brazilian artist and pioneering member of the postwar avant-garde.

Lygia Pape Escultura (Sculpture), 1965. Artist's book with sixteen unbound pages, some with goauche on board, paper, and string. One of the working titles was much shorter, only one word: Creation. In the early 1950s she joined the Rio de Janeiro Frente group, which together with Ruptura in São Paulo was one of the early exponents of constructivist-oriented and concrete art in Brazil. With Latin American art gaining … Jan 25, 2012 - Lygia Pape The Book of Time (~1962).

Lygia Pape worked in sculpture, engraving, and filmmaking.

Lygia Pape was a Brazilian visual artist, engraver, sculptor and filmmaker. Lygia Pape was a pioneering artist in virtually every stage of her long career. Lygia Pape was a Neo-Concrete artist best known for being part of a group of artists in post-WWII Brazil dedicated the intersection of art in public and personal spaces. Lygia Pape, “Book of Time” (1961–63) (detail) Often, when looking at Pape’s work from this period, I think about how I would like to shrink and walk among her constructions, like “The Book of Architecture” (1959–60), one of many of her works that allude to reading and books. Available for sale from Galeria Millan, Lygia Pape, Book of Time (1961-63), Latex and acrylic painting on wood, 16.1 × 15.8 × 3 cm Lygia Pape (7 April 1927 – 3 May 2004) was a prominent Brazilian visual artist, sculptor, engraver, and filmmaker, who was a key figure in the Concrete movement and a later co-founder of the Neo-Concrete Movement in Brazil during the 1950s and 1960s. Lygia Pape was a leading Brazilian artist whose work brings together formal rigour and daring experimentation. Lygia Pape (7 April 1927 – 3 May 2004) was born in Nova Friburgo, Rio de Janeiro, Brazil.

She ranged widely across mediums, challenging formal and conceptual boundaries.

Lygia Pape: A Multitude of Forms The exhibition gives an insight into the development of modernism in Brazil, a country to which it was an extraneous mode of aesthetic language, developed under the influence of a somewhat slowly spreading wave of international modernism .


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